Tag Archives: English Teacher

Take time in the morning to

12 May

assemble and enliven your character.

You want certain facets to change?

Re-write them.

You’re displeased with something?

Remove it.

You hold the pen. The pages are yours.

Be the author,

of EVERYTHING.

article

4 May

View story at Medium.com

article

30 Apr

View story at Medium.com

for interpretation

30 Apr

She tells me something,

I listen but don’t at all, not a 

Word.

I glare, meditate, then die.

Mocha first.

28 Apr

Needing four shots. Or at least I have myself convinced that’s what I need. Pretty sure I do. Not wanting to work today, only play more with these poems and stories in head. All I want to do. Writer symptoms. That’s all it is. Going to write in car, these voices in this shop annoying me– not to mention the steam sounds, the cars driving by for the drive-through window. The morning reinforces the reality of needing your own space, YOUR geography, your quietude for what you need to do.

In car and away from where coffee’s made and blended, foamed and whipped and everything that makes sounds and sends more scents to air which distract. The lecture of morning hours descends with varied syncopation and delivery. It’s clear what I’m to do, a student, revolving in and for my studies, for students in any of my classes. The metal racks meant for barrels, left, reinforce work, the Road, the progress and travel of self from one set of scenes to next. More needs noted, more needs to be on page. Everything teaches, all visuals instruct. And, you can always re-write.

This morning I

27 Apr

left bed feeling decision, that I’ve decided where I’m going, where I’m headed. We are all in a sight of desire, of some apexing aim. Make this morning a morning where you refuse not to see it, live in and think from it.

Now Pages (writing prompt…)

24 Apr

Writing your scene, your currency, right where you are and what you see but not how it appears.  How you’re to put it to page.  Make it something different, something more exciting or dangerous, something odd.  Make what you see, the room you’re in or the picnic bench at which you sit, something else.  Become someone else in a different location.  Make it believably crazed.  Your writing in this piece should not only reflect your imagination’s expansive qualities and aptitude, but curiosity.  What the room speaks if you were there but in a different tilt and tint of it?  And, maybe, turn the room you’re in to something not even remotely contained.  Make it a cliffside, a beach, some alcove in an Arizona canyon.

Writing about your Now, yes, is focused on specifics but as well distances itself from where you are, who you are.  Crazed, and believably, honestly.  With sittings like this, producing pages predicated on and in immediacy there’s a devout liberty to your instincts.  Just write where you’re thoughts wish travel.  Curiosity’s its own cognition, and it can unearth gems for you, often.  But, there need be practice and inward conversation.  With this cue, remember, something else.  But, honest, believable, magnetic.  Right now where you write should never be seen as something boring, or incapable of translation and, or, re-translation.  All in your space is invitation.  Another intention of this exercise.

(my Now…). Stoic and stale cubicle spaces, trapping and teaching… “Don’t ever come back here again.’ They command.  I look at the gray-blue-purple-shale-coal color and feel sick, asking self ‘why’.  Phone rings, I imagine picking it up and someone telling I’m being sent out on assignment, to Africa, to write about tourism around a wildlife preserve and the animals roaming and surrounding.  Looking at the carpet walls of my cubicle, I see the stretch of that wild, arid stretch.  Some zebra, a couple wildebeest, then some other thin-legged animal that starts running.  I stay here in the swivel chair, listening to people make calls and promise things.  Sell things.  Things.  I want something else.

***Take a thousand words to write your now, right where you are, or somewhere you were recently.  Proximity and honesty are key, so be sure the location into which you dive and delve is truthful regarding when you were there.

(4/24/18)